American Dominance By Kesey
The idea of having the power of taming an unknown, rugged territory has
always
been a significant goal in American society. The early American
settlers came
over to this continent to find a better home with the intention
to conquer and
make their surroundings fit their needs. In an interview with
Ken Kesey, he
said: What I explore in all my work: wilderness. Settlers on
this continent from
the beginning have been seeking wilderness and its
wilderness. The explorers and
pioneers sought that wilderness because they
could sense that in Europe
everything had become locked in tight. . . .When
we got here there was a sense
of possibilities and new direction and it had
to do with wilderness. (Faggen 22)
In Kesey's novels, this American
feeling of confidence in oneself to dominate
and control one's surroundings
is a continuing theme. Kesey is predominately
known as an author of the
Beatnik generation. He was very influential as a
leader of the psychedelic
movement on the West Coast, and drugs played an
important part in his life
and often influenced his
writing.
------------------------------------------------------------------------
"What
I explore in all my work: wilderness." -Ken
Kesey
------------------------------------------------------------------------
His
first published novel, One Flew Over the Cuckoos Nest, was extremely
popular and
is often thought of as one of the great books demonstrating the
social values of
the Beatniks. In this novel, the protagonist, R.P. McMurphy,
is a con man who
fakes mental illness to enter a psychiatric hospital to
escape working at a
strenuous state correction farm. He goes there with the
idea that this will be
an easy life and he'll make a profit. Miss Ratched,
known as the Big Nurse, is
the dictating power on the ward, and the place
runs in exact order under her
control. The two engage in a continual power
struggle. McMurphy encourages the
patients to rebel against her authority for
his own self-interest as well as for
the theirs. He makes it his personal
goal to overthrow her rule and uses
whatever means he can. He has the
intention of taking control of the ward and
conquering the ruler, and uses
the ward meetings to get the other patients to
vote against her policies.
Once McMurphy tries to get the daily schedule changed
so the World Series
would be on during the TV hour. With a great effort, he
persuades the
patients to stand up against her and switch the time slots the way
they want,
but their immense fear of her makes it difficult for McMurphy to
take
control. Using his con man skills to weaken her rule, McMurphy brings
gambling
to the ward, betting for the patients money and cigarettes. He is
able to take
much of their money fairly, without the Big Nurse being able to
stop him. He
bets that he will be able to make her lose her cool within a
week. He tells the
patients, ". . .a bee in her butt, a burr in her bloomers.
Get her goal.
Bug her till she comes apart at those neat little seams,
and shows, just one
time, she ain't so unbeatable as you think. On week. I'll
let you be the judge
whether I win or not." ( 72) He comes very close by
upsetting her, and
making a fool of her. He plays games such as innocently
offering to help and
them getting her all upset and flustered. He does lose
this bet but he proves
his point that he is clever enough to get to her. This
is an important step in
winning the patients' confidence in McMurphy and
their support of him. The Big
Nurse shows society's inhumanity in dealing
with the insane by locking them up
out of its sight. Kesey has McMurphy set
out on the goal to conquer the villain
and take control for himself. For him,
the end justifies the means, even if he
sacrifices himself for the cause. He
sees the ward as a challenging wilderness
that he can tame in order to
accommodate it to his own
needs.
------------------------------------------------------------------------
"...a
bee in her butt, a burr in her bloomers." -McMurphy in One Flew
Over the
Cuckoos
Nest
------------------------------------------------------------------------
Kesey's
second novel is Sometimes A Great Notion. It is a difficult novel to
comprehend
because it quickly shifts from first to third person. The book
"blends past
and present"(Granville 277), switching story lines by using
italics,
capitals, and parentheses. Much of it is written in stream of
consciousness. The
novel takes place on the Oregon coast, where the Stampers
are a large logging
family who own their business. They have a rugged,
strenuous life with few
modern conveniences. Hank Stamper runs most of the
business with Joe Ben
Stamper, and together they work excruciatingly hard
to pull through their
struggles. They are the model example of Americans
surviving the elements in an
attempt to conquer the wilderness. The Stampers
isolate themselves from the rest
of the town; only family members can work
for the company. Theirs is a
competitive company, and Hank prides himself on
being the most successful of
them all. He makes a deal with Wokonda Company
to ship a huge order of lumber.
The town is unaware of it until the
Stampers have almost completed the deal.
This contract puts the rest of
the loggers, consisting of most of the town, out
of business. Much of the
book is about how the townspeople try to persuade Hank
to cut off the deal.
In one argument, the towns leader says, "...I know you
can't possibly do such
a thing, Hank, not and still call yourself a Christian.
There is an
entire town off there depending on you. An en-tire town, your home
town, the
fellows you grew up with, played ball with... an' their wives an'
kids!
"(360). He refuses to back down and the town cuts off ties with him.
He
suffers severe losses trying to complete the contract with only a few
men,
even losing his closest family member, Joe Ben, in the struggle.
Learning that
he, alone, cannot pull off such a large operation, he is
ultimatly unsuccessful.
Torrential rain causes constant flooding of the
river, and makes his life
frustrating and challenging. Throughout the book,
the river is always Hank's
potential enemy. He is constantly checking the
bank to see how much the water
had risen. "...Hank was worried that the boats
might be swept loose from
their moorings, as they had been last
year,...Before going to bed, he put on
rubber boots over his pajamas and
pulled on a poncho and went out with a lantern
to check....Hank noted the
water's height on the marker at the dock--black water
swirling at the number
five; five feet, then, above the normal high tide
mark..." (105-106) Hank is
constantly haunted by paranoia about the river
rising and destroying his
belongings. This is his ongoing conflict against
nature, his attempt to
confine and control the river. Another of Kesey's books
Kesey's Garage
Sale is a group project by him and other authors. This book
portrays Kesey's
ideas of the 1960's counterculture movement and a desire for a
broadened
consciousness. It is not a very popular work, and "most reviewers
saw the
book as a thrown together combination of recycled spare parts designed
to
make money" (Tanner 104). Many of the characters in the work are based
on
Kesey and his life experiences. The longest piece, a screenplay, "Over
the
Border," is an exaggerated version of his flight to Mexico to
escape
prosecution for his second drug arrest. The main character, Devlin
Deboree, is
modeled after Kesey, who is joined by a group called Animal
Friends, modeled on
Kesey's followers, the Merry Pranksters. They both
lead their groups into
frequent experiments toward discovering new dimensions
of consciousness. Never
satisfied staying the same, Deboree and his Friends
must constantly try new
paths and they're confident in finding what they are
searching for. Deboree
makes this journey with the confidence in being strong
and becoming successful.
He goes into Mexico to live a better life, using
his surroundings to accommodate
his needs. In the hope of being free from the
legal system, he flees to another
country just as the first immigrants to
America were seeking freedom from
religious prosecution and a better life. In
this screenplay, Kesey evaluates his
leadership. It "is fascinating and
informative document of Kesey's search
for new awareness and transcendental
experience" (Tanner 111). In Kesey's
collection, the realization of the
revolution of consciousness has gone sour, as
it was hindered by too
idealistic motives and by the "...corroding impulses
to power and
vengeance..." (Tanner 112). Tom Wolfe's documentary on Ken
Kesey and his
group of Merry Pranksters, The Electric Kool-Aid Acid Test is
about Kesey's
real life and how his social life affected his writing. He
describes Kesey's
avid use of LSD and marijuana. Surrounded by his
Pranksters,with drugs
being used all around him, Kesey is a leader of the
psychedelic revolution in
California. The drugs do have a marked affect on his
writing, and he has
often said he was high while writing parts of his novels.
Drugs have also
distracted him from his writing, and there had always been a
conflict between
the two; eventually he stopped writing and remained active as a
drug user.
The Electric Kool-Aid Acid Test reveals the life Kesey lived, as
Wolfe
writes about Kesey and his group taking a trip across the United States
to
New York City in a bus painted exotically with day-glo colors. Being
the first
Beats to make such a statement to the nation, they are
confident in entering the
uncharted adventure to make new discoveries about
themselves. As Wolfe wrote of
the trip, "Kesey was already talking about how
writing was an old-fashioned
and artificial form..."(91). The idea of the
journey was to further expand
their consciousness by making a journey to
bring their revolution to New York.
They were confident in g successfully
spreading their ideas. This trip had a
major affect in making the transition
from the Beatnik generation to the
hippies. After they traveled across the
country in the outlandish bus, other
similar vehicles became popular. Tom
Wolfe illustrates the great influences
Kesey had on the nation and the
promotion of psychedelics. Kesey persists in his
own life to take on new
challenges, confident in his ability to change things to
the way that suits
him. Ken Kesey's works all relate to the early American ideal
of being able
to come to a completely new place and take control. Taming the
wild and
rugged environment and making it adjust to one's desires was an
important
part in his characters' lives. In Cuckoo's Nest McMurphy could end
the
Big Nurse's control and live his own way. Like McMurphy, In Great
Notion, Hank
and Joe Ben do tame the wilderness but pay a severe price for
it. In Garage
Sale, Kesey portrays his own journey to lead the nation to
new psychedelic
stages of consciousness. In Acid Test, Kesey's road trip
across the United
States shows his determination and ability to lead
people to new phases in
history and his confidence in achieving his goal. He
says: It's the same old
wilderness, just no longer up on that hill or around
that bend, or in that
gully. It's because there are no more hills and gullies
that hollow is there,
and you've got to explore the hollow with faith. If you
don't have faith that
there is something down there, pretty soon when you're
in the hollow, you begin
to get scared and start shaking.... Real warriors
like William Burroughs or
Leonard Cohen or Wallace Stevens examine the
hollow as well as anybody; they get
in there, look far into the dark, and yet
come out with poetry. (qtd. in Faggen
24) Ken Kesey continues to
illustrate the American ideal of conquering new
territory and transforming it
into the way that suits them best. He shows how
important determination to
take the dominating role affects Americans lives. He
is an author of the
Beatnik generation and throughout his lifetime made
significant social
contributions. He led the country from Beats to Hippies with
his influence
through psychedelic drugs.